Acknowgn
Th book  b on ch conc ov
h , f  choo whn I wok  
ch, n now h I     n.
I  gf fo  ho h   n
conb o h wok.
F on: Dcb 03
Your personal coach for
overcoming
learning blocks
A holisc approach to help you understand
how your mind works and acquire
the necessary skills to progress
Tb  C
I
ntroduction
PART ONE: oc bckgon
eoretical background on Coaching and the working of the learning mind
Why a coach and not a teacher?
How do we memorize new information in the best way?
What a coach could do to prepare a learner before a session
How to support the learning process?
What is the role of error and feedback in the learning process?
Overview of the whole learning process
Phase 1: Preparation
Phase 2: Presentation
Phase 3: Practice
Phase 4: Performance
E  - Sk o vop
Empathy
Techniques for improving your attention-to-detail skills
Active listening techniques
How Writing strategies might be used to overcome some limitations
Neuro Linguistic Programming
Results of a previous investigation on learning styles, multiple
intelligences and school achievement
PART TWO : C S
Case study 1: Alice - An example of understanding and overcoming a
block in expressing oneself
Report about the session aer three weeks she has been postponing
the written tasks
e simulation
Simulation before the exam
Results
Case study 2: Ariana, putting aside for a moment external and internal
conicts
Initial exercises
About one session
Training her so skills
Results
Case Study 3: Stella, training for speaking in public
Introduction
First meetings
Initial activities
Training for a public presentation
Changing the mood with playful interactions
Feedback on nal questionnaire
Results
Case Study 4: Beatrice, improving through Art and personal interests
Early feedback
Plan of action
Final questionnaire
Results
Case study 5: Mila, nding condence in herself and her skills
Introduction
Initial analysis of her personality and way of learning
Her major obstacles
Results
Conclusions at the end of this research
Appn
•
Q  Py  y. Hw w  h
w
•
  y – Hw w  h w - (Hw w 
 y)
I
W    hv   h   wh      .
W kw h h v h    y    
   h hz h wy h  h  w h.
Cqy,  y h b  h , h  h  
vy  h y,  h     vy  wy.
Wh w  wh h wk  h .    
bw  ,     h. A w      ,
h     hw h v wk, h  h
v, h wy hy , h b hy     
  wy  v w   bv .
A ky h  h    h h  h h 
y h h b  v. I        
O- b  P,  h b    C  A.
T b b    v  h  wy,   y  hv  
h  kw  hw h  wk    , hw
h  h  wy   w    z
. I  h h     vv  y h , b  h
  h by.
I     b     h y S Sk h
 v   v       
-, b    v   b, bh
 h v    h  v.
Ah    h  v  h Av L k, wh
h h  k  .
A h   h h h,  v h b b  y
v h  b ,  b  , q  w
  hw    hw  y y  hy   
   h/h wk v.
I h    h wk, h    w hw hw
 b  h w   h  v v
   b   vy  wy,   h y
 .
 wk   h    v h  h 
bw hw y y  h bj  y v  y  h
bj. I w hw hw  wy  y     v
  h wy y  wk.
Roberto Cuccu has been a teacher of English Literature, teachers ‘trainer,
multimedia educational consultant for online museums, and trainer for
Cambridge English certicates courses.
He has created a portal called learnholistically.it, that has hosted over time his
realizations in Educational 3D worlds, educational games, training and his
publications. All his published articles and books are based on working with
students on specic projects.
His last three works have been:
Egsh r Crevy d E-Desg
A praccal visual course to make our planet a beer place
Oe Pg s wrh e husd Shr sres.
A pedagogical approach to creave wring and a collecon of short stories
inspired by painngs
Hkg he Humes: A mumd pedggy r revy d ve
zeshp.
The results of an Outside-the-box Learning Experience
PART ONE
Th bk  Ch
 h wk  h  
Why  h    h?
 wk   h   b v v    wh  , b
 b     v, h h/h , , v
 b b wh   wh   b, , ,
   h ,   b  h
  , wh j, h h  v 
hv w hh, b, , ,  h
h h by  k   hv wh    h 
h.
Ch   v h  whh h h  h
v w h hv   . B h y
k    -- ,    q  hhy vz
v .
1
 h v kw, h, v,  bk  h
   wh h h .    v
bvy bw h h  .
 coching mhoolog i ilor o h lrnr’ n.
Ahh h, ,  h  y  h  h
, h     h   .
F ,  y  h    h    wk  y
 y   b  h  h  v.
2
Conncion
 h  . I , h ky    h
h 
chmir
. G  kw h   h h’ v
h h    h
cr  bon
. G y, 
,    b h y  wk h  
k h k  w  wk wh y.
Emph
 h  h w    wh  h h k
h  b. Ehy w    h  bh
’ h   hw  hy    w.
1
Ginger Lapid-Bodga (2009) Bringing Out the Best in Everyone You Coach
2
Ginger Lapid-Bogda (2009) Bringing Out the Best in Everyone You Coach
Why   y  kw hw h b wk
     
   ?
h   h b Dw , h b 
,  y, h    v .
Gv hh, v h v,    v   
   , w   .     w     h
 wy   h   b w   w k   
w   b b   h  w .
A  w w hv
irn pronl prfrnc for h rgi w 
.
 y vy by k   b hy w   hw  y v .
Eh b h  hh   y, v   wh.
Eh   b wh  q b  . B  h  
, w  hv   h  h w v y, h
hy     .
T  y     v   h b h h h
v    wh z   v h .
If o kp oing wh o hv lw on, o will lw g wh o hv
lw go.
   w hv, h   h  .
L    v. I’  v- vy     y
w  . A  y  vv h by  y
y  v  h wy  whh y . L  b h
 h h h’  y  h     w  .
W  v  —  wh w .
3
3
Colin Rose & Malcom J. Nicholl (1997) Accelerated learning for the 21st century
Hw  w z w 
 h b wy?
W   y h hw  . W    b, b  hw
 b.    h b b  vv 4 v
:
    kw 
nconcio incompnc
. N y y   kw
wh  , y hv     h.
   
concio incompnc.
Y        
h b.
N y h h  
concio compnc.
Fy, h 
nconcio compnc
.  k b  h  
hb         h , k  h y  hv
 v wh y v.
   j k  y:
4
Immi mmor
    wh h     
b h  w   . H w  h  h   h
 h     . Wh      
  h   wh h    ,  
b   h- y.
O h h h,
Long-rm mmor
vv   h
  h b. S      k
y v. LTM  h L-T My    2 y; h
xplici n implici mmori
.
4
Stephen Bryant (2014) Limitless Memory Brain Training Tricks and Techniques for Memory Improvement and
Accelerated Learning
Explici or Dclriv Mmori rfr o h informion h or brin
look ino for concio cion n ciion
. Sh    
h  v  y  kw   h y 
y.
 Procrl or implici mmor on h ohr hn rfr o h
informion h or brin  for nconcio civii
,  by
v  h y   bj.
Ah     y  v    
h   . I h bh ,  h   y hv b
, b hy w y v    v   
 y .
Hw  mprve ur memry
A  h Ky  Rb. H w   wy 
z .
5
Conncon Mnonc
– C    h y
wh       v  
y b. F , Nh   bv wh Sh  bw.
Cng
– C        h 
  z    y.
N Mnonc
– N M   h   h  y.
I h, y  h    h w  h y     
   yh  h  w b   y    b.
Ig Mnonc
– I    y y y,
y  y hh y. I   h w 
    wh h     h y
b . I y  hv  b ,  wh    
h y w b b     b h   .
5
A Sh (1998) A    - B-b h   v 
hv
Wh   y b /
 w y 
wh w ?
Rprnionl m
hv   wh whh  h v   
  h     h y: V (h), Ay
(), Kh (), Oy (), Gy ().
6
Vill-orin
         . y
  - y  h z . y k  
h    k   h hy    h . y y,
hwv, hv b b  .
V   b wh hy   -w , , 
, , ,     k wh hy  .
H   w  h y    k 
MORE VISUAL:
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Pq  (h, )
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Vv  h
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D by 
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Vv 
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M y .
Aior
,  h h h,   by   
   h v  y  h k. y v  
b   wh w .
Kinhicll-orin
   hh h
  . y   y h   hv,  jy
h- j  k. y      v wh
k  y hv b         .
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Revell Jane & Norman Susan (1997) In Your Hands - NLP in ELT
Mlinoril mnl imgr
M y   y wh y   , b wh y 
 h, h, , , ,    w.
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 nm of lrning i r.
8
     
 v    wh h  hh  y 
-b  w. Wh h b b   , 
v. Svv bhv  y v   v hk,
-   by. W  h h  h  h
, y wh h   ,  y v 
b  .
T v h,    
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  v, v  v;
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b   v -;
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 h     ;
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v v  -v hk     vw
vy.
 hb  hh whh   q  b h 
h y   b  h   y  h
v.  q  whh   h  y  
     h k  whh h  h  .
O y hv z  wh wy   , h y  b
 h   h  by   .
T    v h  .  v h
v h y-b    h   . O h
 hv h h , h hy hv h  k b.
T       v   h  .
I  b  by k     h h   h
 wk.  , hwv, h wbk   
k   hk.
9
7
Jane Revell ^ Susan Norman (1997) In Your Hands - NLP in ELT
8
AlistairSmith(1998)Acceleratedlearninginpracce-Brain-basedmethodsforaccelerangmovaonand
achievement
9
Tony Stoltzfus (2008) A Coach’s Guide to Powerful Asking Skills
F,    k  h    v y  h b
h.
    h y    y   v h
  whh  y  v    w  
   .
 h   h h b v    v   wh  h
.   h  vv h wh , h   
v h .
I h A h  w q h w h y h
  h   .